Wednesday, 15 June 2011

No 9 Bridal Couture's Strawberry Tea: 25th June 2011

We are absolutely delighted to be able to be donating one of our "All our hearts" bracelets to No 9 Bridal Couture's Strawberry Tea event on Saturday June 25th 2011 in support of the Breast Cancer Care charity.

This beautiful Sterling Silver and Swarovski heart charm style bracelet will be part of a limited edition collection of jewellery and retails at £125. It will be on sale through our website and selected locations throughout October with 10% of sales going to Breast Cancer Care. They make the ideal gift for any special occasion (or just because you want one!) and you can buy it safe in the knowledge that £12.50 will be on its way to a fantastic cause.
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All our hearts

These pieces use a lovely mix of crystal, light rose, rose and fuchsia shade crystal hearts to remind us all of those special people in our lives that are or have been affected by this awful disease. And hopefully in some small way we can all help to contribute to raising more awareness and providing support for women and their families affected by breast cancer all over the country.

For more details of this particular Strawberry Tea event please visit No 9 Bridal Couture's blog and if you can attend but are not lucky enough to win this bracelet it will be possible to pre-order one on the day.

So if you can go along and support this fantastic event and whilst you're at it have a look around their new studio space - you never know what else you will see!

So until next time......

Tuesday, 14 June 2011

Voting is open! Perfect Wedding Awards 2011



As promised I said that I would let you know when you can start voting for Tiararama in the Best Hair Accessory category of the Perfect Wedding Awards 2011.

We are thrilled to have been nominated and your vote would mean so much to all the team here who have worked so hard over the last year to ensure that our clients receive only the best in design and service. It would be such an honour to win this award but we can't do this without your votes and would be delighted if you could take some time out to support us with your vote.

The online voting form can be found here

On a personal note I would like to thank all of my team of people who have worked so hard to help me get Tiararama to where it is today and who are working so hard on all our future developments. And I would also like to thank all of my family and friends because I couldn't do this without their support. But most importantly I would like to thank all of our clients who have made this year so rewarding and so much fun!

So until next time......

Sunday, 12 June 2011

Perfect Wedding Awards 2011



I am delighted to announce that Tiararama has been nominated in the Best Hair Accessories category of the 2011 Perfect Wedding Magazine Awards. 2010/2011 have been an incredibly challenging yet exciting time in the development of Tiararama as a leading accessory design company and this nomination is testament to all the hard work that our team have put in over the last year or so.

However, as thrilled as we are to have been nominated we would absolutely love to turn this nomination into a win and to do this I would ask that all our clients - past, present and future - as well as all our friends and supporters vote for us.

Online voting opens on the Perfect Wedding website www.perfectweddingmag.com on Wednesday June 15th and I and the whole team will be so grateful if you would take the time to vote for us.

We also have some other fabulous news which we will be announcing this week and we are also very excited about our new additions to our collections which will be launched at The National Wedding Show at Earl's Court September 30th to October 2nd 2011. Come and visit us on stand D68 and be among the first to see these beautiful pieces up close and personal!

So until next time.....

Wednesday, 27 April 2011

God Save The Queen

What do you get when you take 3290 crystals and over 100 metres of wire?

Well when we were asked by Julia, from the wedding blog Brides Up North if they could borrow one of our crowns for an alternative Royal Wedding meets The Sex Pistols inspired shoot my initial thoughts were "which pieces do I have in my studio?" and then I thought "Royal Wedding", "alternative, "red, white and blue", "huge" and my reply was "shall I design you an outrageous new one in red, white and blue?"

Of course the answer was yes and I spent a little while thinking about how I could structure such a crown and how I would apply the red, white and blue. I then remembered a piece of art that I'd seen in a magazine a few years ago which was made of strips of painted drift wood and which formed a union jack and it hit me....draped and intertwined strands of red, white and blue crystals around a deep wire frame. The frame needed to be an integral part of the design- it needed to be seen as well as provide a platform with which to work on. And the wire had to be curled to provide the depth and added texture but this would also enable me to thread the beading through the back, middle and front of the frame so that you weren't just faced with a wall of colour but you have a depth of colour as well which also allowed for interesting glimpses of the alternative colours through the more solid sections. Also by draping the strands of colour we can achieve a more abstract feel which in a crown of this size (and believe me it is big!) helps to soften what could be something quite overpowering if it was all straight lines. Overall there's over 100 metres of wire in this piece.

I also chose the colours and textures of the 3290 Swarovski crystals very carefully. The red was easy - I had to use Siam but I also used Siam Ab to break up the mass of red. And the blue was an interesting one. Many of the "royal wedding" designs I'd seen used the shade sapphire but I knew this would be too dull for this crown so I used capri blue mixed in with crystal metallic blue 2X to give a brighter overall colour with the dark metallic crystals giving a different texture and depth. And to finish I chose white alabaster for its opaque quality. So whilst the blue and red crystals allowed for light to pass through them, the white, the lightest of the colours was a block of colour. This provided an interesting texture to the colour that was to be used the least in the whole design. And then a light draping of silver wire was applied on the outside which served as decoration but also allowed me to tie in and hold some of the beaded drapes.

So after 25 hours of ruining my nails and aching wrists this is what I came up with
God Save The Queen
God Save The Queen

It was such fun bringing this piece into the world but it only started living when it was used for the purpose to which it was born for.....the photoshoot! The photoshoot itself was organised by the wedding blogger Julia of Brides Up North who also starred in this shoot which was captured by Assassynation. The location was Danby castle and the styling was created by The Fine and Funky Events Company. And with gorgeous gowns and veils from The Harrogate Wedding Lounge,accessories by Wedding and Baby and bunting from Little Bundles Bunting as well as God Save The Queen by yours truly this shoot had a wonderful alternative feel. But the addition of leather jackets, boots, red shoes, aviators and tees gave the shoot a true punk edge.

Here are a couple of my favourite images from the shoot of God Save The Queen (as I get more images I will add them to the blog) but for the full shoot on the Brides Up North blog click here.



I hope you have found this interesting - I do love being able to give an insight into designs and I look forward to being able to share more images of this shoot with you soon and also share more design insights as well!

So until next time........

Saturday, 12 March 2011

Loving Metal when metal doesn't love you back

I love my job!

I love colourful designs!


I love problem solving!


I love designing for bride's who are bringing their life and loves into their special day!


I love designing for a bride's special day!


And it's not very often that a client's commission brief helps me tick all these boxes but when Andi contacted me in 2010 I knew that my marker would be put to great use!

I may have mentioned this before but there is more to designing than just coming up with a design - there is also the method you use to come up with that design and the techniques you employ to help you to reflect the personality of the person you are designing for.

Now I would have been over the moon with the fact that Andi informed me that her gown was being handmade and was purple (cue squeal!) and that she and her partner were huge Metallica fans, were having that as their theme (cue squeal number 2!) and asked if I could include the Metallica Ninja logo in the designs and that she wanted a tiara, cuff and choker style necklace (as well as other accessories for her attendants) in purple, silver, black and grey. At this point I had the designs and techniques that I would use in my head already but there was to be a bombshell! You see I was faced with a Heavy Metal fan who is allergic to metal (with the exception of titanium - which is - well it's expensive!). There is something ever so slightly ironic about that! So what to do?

In many respects the tiara was the easiest issue to solve as I always bind my tiara bands in ribbon a) to give a nicer finish, b) to make sure them more comfortable and c) less slippy! And after checking with Andi if I could still use silver as long as I covered it, we were in business. Mind you I was also going to add black coated wire as well which would not only add a new depth to the design but also meant that I could use that when beading the band so that it blended nicely and more importantly it would prevent any metal touching Andi's scalp. Of course one of the disadvantages with coated wire is the coating is quite easy to scrape off especially if it scrapes against other wire so extra time and care was needed to make sure this didn't happen anywhere along the length of the band decoration. And thankfully nothing came off first go (otherwise it could have been a long night!)

So how did I come up with the design? I wanted a design which took the traditional elements of a tiara (ie a peaked design) but I wanted a more industrial feel. Initially when Andi asked me to include the Ninja logo I had the idea of enclosing a pendant in a wire wrap within the tiara but because of sourcing and size difficulties Andi decided that she liked the over all design enough that I could leave out the logo and just carry on with the colours and textures she had chosen. These included Swarovski helix crystals in Purple Velvet and Black Diamond, hematine rondelles, black onyx beads and amethyst gemstone chips.

And what did I do with these? Well I knew Andi wanted something less traditional and quite metallic so I employed a random curled wiring technique similar to one I'd used before and I decided that for that extra edge I would secure the accent beading with crimp beads but rather than finishing them in the traditional way, I made them more of a feature by bending them back on themselves and giving a kind of steel girder feel. And then once all that had been done I used the black wire to twist and turn around the already twisted silver wire to add an extra level of interest to the piece before beading the band quite heavily.

The beading itself was quite interesting texturally as the helix Swarovski shaped beads give a more edgy feel with the black onyx giving a very dense presence in the piece. The use of amethyst gemstone chips gave a really interesting edge to the piece as you had the variations in shape and size but also in terms of tone - some were a mid purple which added a lift in colour whilst the darker purple added a beautiful richness. But my favourite beads of all were the amazing hematine rondelles. Hematine is a man made substance which is virtually identical to genuine hematite which is a form of iron oxide but is obviously easier to source and doesn't need to be mined. Hematite jewellery was really popular in Victorian designs but alot of today's designs now use Hematine instead. They are gorgeously metallic looking with a fantastic lustre and give a really interesting feel.

So that's enough wittering on about it - what does it look like?

Et viola! (by the way the purple is actually a proper cadbury's purple - not the weird bluey colour they've come out in the pic!)
Andi v 2
Andi v 1
But how do you make a 4 strand choker without metal connectors and how do you attach pendants and drops without headpins and split rings? And how do make a wirey looking cuff when you know it can't touch the skin?

Well in some respects the answers are obvious - we use ribbon instead of clasps, make connectors out of beads and use coated wire instead of headpins and split rings for the pendants. OK so how do I secure it all - knots will be too big, crimps are made of metal! Oh and coated wire runs the risk of scraping and the client wants metal!

So with the choker style necklace we took Swarovski Jet beads and created a 4 strand choker with has a subtle twist in the strands which actually shows up better when it being worn than on the display stand. I added 5 drops using gorgeous Swarovski pendants and gave it a velvet ribbon tie. The crystal beads give a fantastic sparkle even though they are black and it is an incredibly striking piece.
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The challenge here was to minimise the metal content of this piece. I made a beaded connector and where I needed to use crimp beads to secure the strands I made sure that they were positioned so that shouldn't need to touch the skin. And because of the velvet ribbon this again lifts the area slightly from the skin again providing extra protection. But just in case I gave the crimps a very thin coat of hypo-allergenic varnish. When it came to the pendant drops the size of the actual beads meant that the crimp beads were naturally kept away from the skin. The pendant drops proved to be slightly easier than I first thought. I used black coated wire to attach the pendants and then beaded the drop hangers and then secured with a crimp. Again I gave these a quick going over with the varnish just to be safe. It wasn't that this was a difficult piece to do but we become so used to how we construct pieces that it almost becomes second nature so when your safety net is taken away, you need to think around the issue to achieve (as close as possible) the same result.

Then we had the cuff. I have been knitting wire cuffs for years and I have done them in a variety of metals and coated wires but the problem with coated wires is as I have previously mentioned, they are prone to being scraped. Now normally (as much as you try to avoid this) if a little bit of the coating is thinned (you don't end up with bare wire!), it doesn't matter. But with a metal allergy you can't risk any weakness in the design. So we came up with the idea of using a thick piece of velvet ribbon and adding the silver wire on top of the ribbon. I swirled the wire around on top of the ribbon and caught it in with black thread. Once the silver was in place I could then begin the happy process of beading the piece using Swarovski Purple Velvet, Black Diamond and Jet together with amethyst gemstone chips. We then added a thinner velvet ribbon to tie the cuff and then backed it with another piece of thicker ribbon to give a flush finish. I love this cuff and I'm off to make myself a similar one soon!
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I think you will agree that combined with her gorgeous Deep Purple (oops wrong band) bespoke gown, Andi is going to look rather spectacular on her big day next month.

But aside from how lovely Andi wil look, I also designed a few more accessories for her sister Jo, who is her bridesmaid and a couple of star wands for her flowergirls. Their dresses are in silver and so I used more Swarovski silver shade in Jo's accessories but used more Andi's tiara beading for the flowergirl wands.
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Jo's hair accessory
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Jo's Pendant in Swarovski Silver Shade
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One of the flowergirl wands

Whether or not these designs are to everyone's taste is neither here nor there. They are however what Andi wanted and well "Nothing Else Matters" and it was my pleasure to make sure that she got it! I love the depth, textures and colours of the pieces and the pictures don't do them justice at all! They have a gorgeous life about them and I hope that I will be able to share with you some of her wedding pictures very soon.

I hope you have enjoyed this post and will be back soon with a look at our 2011 summer collection.

So until next time......

Thursday, 10 March 2011

Icebar London photoshoot


I believe it was on New Year's Eve when I received an email from Sarah from Sarah Vivienne Photography asking if she could borrow some of my pieces for a shoot she was doing at the IceBar, London the following week.

After trying to work out how to get the pieces to her in such a short timescale (and with the bank holidays), I thought that as the shoot was in London and well we live in London that I would just take the pieces along myself. At least then I knew they would arrive safely!

The IceBar itself is quite a confined space with walls, bar, art and sculptures all carved and created in ice. Even the glasses are made of ice! It is a fantastic location for an unusual drinks do but it is very, very cold. In fact I don't know how Lilly, the model, didn't freeze! There she was in virtually next to nothing whilst we were dressed in our winter clothes under the large thermal lined cloaks (not a dissimilar fabric to the cool bag affairs you can buy in M&S!) and gloves that are provided before you enter the room and we were still freezing! If you ever get invited to drinks there be careful of your hair as you pull these cloaks over your head and don't wear killer, skimpy heels - wear Uggs or similar furry lines boots! I think my big toe only thawed out last week it was that cold!

I took a few pieces with me but we used the following pieces:

Snowflakes from our 2011 Winter Collection


and our revised version of our Snow Queen crown which was first seen in 2009
PA312986 - blog
Photography by Assassynation

However I decided to update and refine the design for our 2011 Winter Collection and I am delighted to announce that this piece will be available to purchase from May 2011 and here are some lovely shots of it.




I love these pieces so much. Snowflakes is a large asymmetric piece which is made up of layers of individual snowflake shapes created in Swarovski crystal and white opal. It can be worn as a headband or across the forehead as styled in this shoot. It has a wonderful contemporary twist on a 1920s feel with a fabulous extravagance. I love designing pieces which have versatile uses and this piece is no exception.

Snow Queen is a bold structural Swarovski pearl crown with graduating columns that are bound in wire with silver lined seed beads to add a hint of glitter. You need to be brave to wear this piece and it is a proper Winter Wedding Wonder but if you can wear it, it looks stunning!

I love these images (and I hope you do too) and woud like to thank Sarah for wanting to use our pieces in this shoot. And I love the setting for this shoot but trust me I won't be going there again without putting 3 layers of thermals on first!

And for more images please see Sarah's blog

So until next time......

Additional thanks to Toni Creative for their fab hair and make-up talents.

Wednesday, 23 February 2011

Loving hydrangeas

This one
Rose and hydrangea heart - Image courtesy of Leafy Couture

When I was getting married, I looked at alot of flowers because we (or should that be my extremely creative mother) were doing the flowers ourselves for the church and reception. I decided I wanted big bold flowers so we went to the flower wholesalers and looked at all the gorgeous blooms and at first I was looking at peonies (but as it was pointed out "not in October you're not") and then I saw the flower that I immediately fell in love with - beautiful large white hydrangeas. Oh how I wanted them and oh how my dreams were shattered when I was told it would be hard to get them in October. In other words they would cost a fortune and we had a big church to fill. I did sulk but then what Mum came up with was amazing and I wouldn't have changed what we had for the world! Although I will be honest and say if I'd had something like this on my top table I wouldn't have been unhappy!

Image by Chris Hanley Photography, floristry by Green Earth Flowers

And who would be unhappy with gorgeously simple bouquets like this?

or even this?


But despite not being able to have these gorgeous blooms on my wedding day, my love for hydrangeas has continued and I love having them in the house (and we are desperately trying to grow them in the garden!). I love the colours and I love their overall boldness but I also love the fact that for all their boldness they are made up of hundreds of delicate petals. And it was whilst I was looking at a beautiful dried hydrangea head last year that I came up with a few ideas for my 2011 Summer Collection - taking the form of the hydrangeas and turning that into beautiful hair accessories.

The initial concept idea was born using gorgeous rose quartz chips
Pink Hydrangea
And then having fallen in love with the concept I decided that this idea would form the backbone of the summer collection. And so 5 pieces were designed (and the 6th will be released very soon!). Here are the 3 main designs:

Hydrangeas

Photography by Hannah Duffy Photography

Hydrangea
'Hydrangea' Summer Collection 2011

Hortensia
Hortensia
Photography by Hannah Duffy Photography

I wanted to recreate that feeling of bold yet delicate in the designs so I decided upon beautiful freshwater pearls to give the depth and sparkling Swarovski crystals in various shapes and sizes to give the sense of delicacy and lightness. And by using a mix of singular and clustered beading I was adding an extra layer of texture and interest into the overall look. But the key to these pieces is the wiring and construction. Layers of decreasing circles of wiring are piled on top of each other and then twisted to give a light and airy feel to the pieces whilst maintaining a bold overall look. As you look into these designs you can see a dense core - just as you can see when you look into a hydrangea. These designs represent a beautiful element of summer for me and the range of designs from the bold and striking Hydrangeas through to the small and yet beautiful pins which are fantastic in barrel curls means that they appeal to a wide bridal audience. And indeed these pieces have proved to be a favourite with brides and magazines alike.

And over the next few weeks I will releasing a rather special hydrangea inspired design to celebrate the start of Spring and the move towards the summer season.

All in all though it must be remembered that if it wasn't for the amazing hydrangea none of these designs are likely to exist. They are just the perfect flower - gorgeous when fresh and hauntingly beautiful when dried. And to illustrate their fabulousness I asked Emily Quinton if she had any images of hydrangeas and she sent me some wonderful images which highlight their versatility at every stage of their lifecycle.
Purple Hydrangea - Emily Quinton
Beautifully simple purple hydrangea display
Pink hydrangea - Emily Quinton
Pretty in Pink
Emily Quinton - dried hydrangea
Beautifully delicate when dried
Emily Quinton - hydrangea
Picture perfect, paper thin detail

Apart from the gorgeousness of the hydrangea, these images just show what a talented botanical (as well as wedding) photographer Emily is and in a few weeks I will be bringing you a feature post on Emily and her fabulous work. So look out for that - I can't wait to share it with you.

I hope you have enjoyed my little post about this beautiful flower and I have been able to share some hydrangea love. It never ceases to amaze me how nature develops such things of beauty I would love to know if anyone else shares my warm and cosy feelings for them or even hear about what floats your boat in terms of blooms.

So until next time......
Special thanks to:
Leafy Couture
Chris Hanley Photography
Hannah Duffy Photography
Emily Quinton
for providing lovely examples of their work and images.